Jean-Luc Ponty - Sunday Walk (1967) Hi-Res

 

Artist: Jean-Luc Ponty
Title: Sunday Walk (Remastered)
Year: ℗© 1971 - 2022 MPS Records
Genre: Jazz
Quality: Hi-Res / 24bit-88.2kHz | FLAC 24-bit / 192kH

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1. Sunday Walk
2. Carol's Garden
3. Cat Coach
4. You've Changed
5. Suite Аor Claudia

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Bass – Niels-Henning Ørsted Pedersen; Drums – Daniel Humair; piano – Wolfgang Dauner; violin – Jean-Luc Ponty >>>>>>> Although there were two earlier dates led by violinist Jean-Luc Ponty (for Palm in 1963 and Philips in 1964), this was the first album to get much circulation. Originally recorded for the German Saba label and made available in the U.S. on this Pausa LP, Ponty is heard performing in a quartet also including pianist Wolfgang Dauner, bassist Niels Pedersen and drummer Daniel Humair. The music, much more straight-ahead than Ponty's output of the 1970s, is quite advanced, looking toward John Coltrane at times. In addition to "You've Changed" (one of the few standards ever recorded by the violinist), the band performs Denny Zeitlin's "Carole's Gordon" and three group compositions, including Ponty's "Suite for Claudia." Already at this time, Jean-Luc Ponty was a highly original and brilliant player. >>>>>>> Legendary drummer Kenny Clarke compared Jean-Luc Ponty to Dizzy Gillespie. Fellow violinist Stuff Smith marveled, “He plays violin like Coltrane plays saxophone.” Born in 1942, the French violinist transported jazz violin playing into the world of modern jazz. On Frank Zappa’s urging, Ponty moved to the States in 1970. Over the next years he toured with Zappa, the Mahavishnu Orchestra, and Chick Corea’s “Return to Forever”. On the 1967 Sunday Walk the band saunters through two blues, a waltz, and a standard before reaching Suite for Claudia which begins at a blistering pace with Ponty’s saxophone-like “brilliance and fire” playing. It then settles into a medium swing groove with Wolfgang Dauner’s infectious piano play followed by a smoldering Ponty. Daniel Humair’s crisp drum solo segues into a heart-felt waltz. After all, this was written for Ponty’s wife. Ponty is here with a group of Europe’s finest at their youthful best. The way they play, it’s all a walk in the park. >>>>>>> "This is the pre-prog, unplugged Ponty, which may or may not be your cup of pomegranate tea. I bought a used copy of this years ago, loaned it to someone, never got it back and never really cared. I’ve always felt it was a mixed success, maybe because the idea of a jazz violin seemed revolutionary at the time and yet the bebop arrangements of Sunday Walk were anything but. I guess it’s a new wine in an old wineskin kind of a thing, he wrote, further confounding readers with one of the more obscure parables. In a year or two, this music would be trumped by King Kong anyway. The album has been released many times over the years (I would take the discographical data below with a few grains of salt), often credited to The Jean-Luc Ponty Quartet, which has more to do with loose licensing than popular demand. The supporting players are solid, if a little academic in their approach; jazz always seemed like some pickled curio in the mouth of Europe, but that may be my personal bias. I suppose I could point out individual tracks in the interest of providing some value today, although I honestly don’t have any “favorites” on here. The closing “Suite For Claudia” is at least pretty, and the opening “Sunday Walk” is exciting. (There, I can check off an imaginary checkbox that says “discussed individual songs” next to it.) If I seem uninspired today, Ponty’s probably not to blame. I’m not a big fan of bop; it all sounds the same to me, and the existence of vexing offspring (hardbop, postbop) makes me feel like I’m on the outside of something important looking in. The music on Sunday Walk probably sounded fresh in 1967, but the moment you say something is “fresh,” it isn’t. (Oddly, this rule also seems to apply to packaged salads and most of your vegetables except for potatoes and the hard squashes.)"