Buddy DeFranco Quartet, Louis Hayes Quintet - Blues Bag, Louis Hayes (1964-1960) Flac
Artist: Buddy DeFranco, Louis Hayes Title: Buddy DeFranco Quartet, Louis Hayes Quintet Year: 1997 Is by Blue Moon / Vee Jay Recordings Genre: Jazz / Bop / Hard Bop Quality: FLAC 16-bit / 44.1kHz
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1. Buddy DeFranco - Blues Bag 2. Buddy DeFranco - Rain Dance 3. Buddy DeFranco - Straight No Chaser 4. Buddy DeFranco - Cousin Mary 5. Buddy DeFranco - Blues Connotation 6. Buddy DeFranco - Kush 7. Buddy DeFranco - Twelve Tone Blues 8. Louis Hayes - Hazing 9. Louis Hayes - Rip de Bloom 10. Louis Hayes - Teef 11. Louis Hayes - I Need You 12. Louis Hayes - Back Yard 13. Louis Hayes - Sassy Ann
Bass – Sam Jones, Victor Sproles (1 to 7); bass Clarinet – Buddy DeFranco (1 to 7); cornet – Nat Adderley (8 to 13); drums – Art Blakey (1 to 7), Louis Hayes; piano – Barry Harris (2) (8 to 13), Victor Feldman (1 to 7); tenor Saxophone – Yusef Lateef (8 to 13); trombone – Curtis Fuller (2, 5 & 7); trumpet – Freddie Hill (5), Lee Morgan (2, 7) >>>>>>> Buddy De Franco: "For this unusual set, clarinetist Buddy DeFranco is exclusively heard on bass clarinet while joined by drummer Art Blakey and an interesting group of players, some of who were with Blakey's Jazz Messengers at the time. DeFranco, Blakey, pianist Victor Feldman, and bassist Victor Sproles are featured as a quartet on four numbers while the other three songs add trombonist Curtis Fuller and either Lee Morgan or Freddie Hill on trumpet. The seven selections are all bluish with many of them actually being blues. Highlights include "Straight No Chaser," John Coltrane's "Cousin Mary," Ornette Coleman's "Blues Connotation," and Leonard Feather's "Twleve Tone Blues." This is intriguing music which makes one wish that Buddy DeFranco still played bass clarinet now and then." Louis Hayes: "The 1960 Cannonball Adderley Quintet (with drummer Louis Hayes, cornetist Nat Adderley, pianist Barry Harris and bassist Sam Jones) performs on this Vee-Jay CD reissue with tenor-saxophonist Yusef Lateef in Cannonball's place. Although one misses the fiery altoist, the contrast between Nat's exciting (if sometimes erratic) cornet and Yusef's dignified yet soulful tenor make this an above-average session of swinging bop." ~Both by Scott Yanow (All Music Guide)
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